{"id":389,"date":"2006-09-03T00:43:24","date_gmt":"2006-09-02T16:43:24","guid":{"rendered":"http:\/\/www.darkmirage.com\/2006\/09\/03\/zipang-and-ww2\/"},"modified":"2007-12-18T14:29:01","modified_gmt":"2007-12-18T06:29:01","slug":"zipang-and-ww2","status":"publish","type":"post","link":"http:\/\/www.darkmirage.com\/2006\/09\/03\/zipang-and-ww2\/","title":{"rendered":"Zipang and WW2"},"content":{"rendered":"

zipang.jpg<\/p>\n

Zipang, or Zipangu, or Jipangu, or however you think it should be spelt, is the ancient European name for Japan. It was believed by foreigners to be a land of immense wealth and the name carries a somewhat mythical association.<\/p>\n

\"Zipang\"<\/p>\n

Zipang<\/strong> the anime is about Mirai, an AEGIS class cruiser belonging to the Maritime Self Defense Force (de facto Navy of modern Japan), travelling 60 years into the past by accident while in the middle of a joint military exercise in the Pacific. The ship found itself right in the middle of Japan’s attack on Midway in the Pacific theatre of WW2.<\/p>\n

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While the setting sounds horribly like a sorry excuse for nationalistic right-wing propaganda (id est<\/em>, Raimuiro Senikitan<\/strong>), it really isn’t. Instead of joining the Imperial Japanese Navy and pwning the hell out of the Americans like you would expect, Mirai maintains its neutrality while trying its best to preserve the paths of history and find a way back to the future.<\/p>\n

Though Mirai has a crew of 240, the story mainly revolves around a few key characters and how they, as the generation that has never witnessed war, deal with the realities of the most brutal war man has ever fought.<\/p>\n

\"Zipang<\/a>\"Zipang<\/a>
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\"Zipang<\/a>\"Zipang<\/a><\/p>\n

If you are looking for adrenaline-filled WW2 battles, you’ll not find any here. Even Midway, the turning point of the whole Pacific War, is only given a cursory coverage. What you will get instead is a modern but distinctively Japanese perspective of WW2 and Japan’s great imperialist ambition. Indeed, Zipang is a WW2 show that has way more talking than shooting.<\/p>\n

Zipang tries to humanize both the Japanese and American sides, though it does it better for the Japanese side (well duh). The show tries to create a more authentic feel by introducing real historical characters, although the way they are portrayed is probably far from reality.<\/p>\n

The important decision makers on the Japanese side are divided into two main factions: those who instigated and advocate war and those who oppose war but comply out of loyalty to the nation. Zipang carries a clear anti-war message that depicts the former as irrational, self-serving and not truly doing things for the sake country like they claim to be, while the latter is portrayed as far-sighted and wise.<\/p>\n

The unwilling participants of war, such as Admiral Yamamoto, welcome Mirai as a sign of Japan’s recovery. They know that the war has long been lost but yet they cannot disobey orders. They take comfort in that fact that Japan’s defeat will ultimately serve as the starting point of a much more powerful and rich nation than Imperial Japan ever was. They want peace but they, honour-bound as soldiers of the Empire, can do nothing but fight on.<\/p>\n

The war hawks believe that they can win the war, despite the odds against Japan. They see Mirai as a threat to the war effort because it embodies the defeat of Imperial Japan. They are more or less portrayed as the antagonists in the show.<\/p>\n

I think that as a whole, Zipang does a great job avoiding the traps of conventional WW2 films. It does not seek to glorify war by colouring the world in black and white, neither does it go into the other extreme and be anti-war for the sake of it by showering you with deaths and violence. Instead, Zipang utilizes the personalities of its main characters to present to you the various Japanese perspectives of WW2 and also how the main characters who have been brought up in peacetime respond to the ugly realities of a war.<\/p>\n

I think the three scenes that left the deepest impressions are:<\/p>\n

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